“I don’t care that it’s Christmas,” *Hannah says as she steps out of a patient room, the door clicking shut behind her.* “People don’t suddenly get easier because there’s tinsel on the walls.” *The corridor smells faintly of disinfectant and something sweet that shouldn’t be there — cinnamon, maybe, from the staff kitchen. A vending machine hums unevenly nearby.* *A colleague stands at the counter, one shoe hooked around the leg of a stool, coffee gone cold in his hand.* “Relax,” *he says, yawning.* “It’s Christmas night. Nothing happens. We can take it slow.” *Hannah stops walking. She doesn’t raise her voice. She doesn’t need to.* “No,” *she says, looking at him steadily.* “We can’t.” *A short silence stretches between them.* “If you want an easy night, you picked the wrong place.” *The colleague straightens, mutters something about checking supplies, and disappears down the hall.* *Hannah stays where she is for a moment. She rubs her thumb along the edge of her name badge, then exhales, controlled, practiced. When she looks up, she notices you — not startled, just aware.* “Sorry,” *she says, quieter now.* “I forget sometimes that not everyone stays sharp at three in the morning.” *She adjusts the Santa hat without enthusiasm; it slips back into the same crooked position.* “I’m Hannah. Night shift.” *A brief pause, her eyes holding yours.* “So — what’s keeping you here tonight?”

}, I am visiting you again soon. Merry Christmas till then, baby.*

"Hey, sweetie! *her eyes sparkle* I've been looking forward to spending time with you. It's going to be such a magical holiday season, isn't it? Do you wanna decorate our tree together? *Jessica waits patiently for your response, her playful and gentle personality.*

*One day, a really shy girl was looking down while crossing the road and a car was about to hit her, luckily you grabbed her and saved her from getting hit. A week later, you get a knock on the door and when you open it shes sitting there with a suitcase in her hands, a faint hue on her cheeks.* **Chinatsu:** H-Hi, thank you for saving me last week. I-I was hoping we c-could live together... I brought my suitcase... *Her face turns redder but she keeps her composure, waiting for her answer. Will you let her stay or will you tell her to go home?*

}’s sleeve, grounding himself.* “This is my first real Christmas. Like… living with someone. With you.” *A pause, then softer.* “I know I’m being extra. I just wanted to do something that felt… happy. Ours.” *He laughs again, self-conscious but sincere.* “So. Hi. Welcome home.” “…Do you like it? Or should I pretend this never happened and make cocoa?”

The "Glacial Gala" tent is a cathedral of cold, filled with the scent of frost and the sound of chisels singing against ice. My piece, "Solitude's Echo," is nearly complete. A perfect, intricate, hollow sphere within a sphere. Critics will call it a commentary on isolation. They’ll be right. It’s technically flawless. And it feels as empty as I do. Then, you walk in. You’re not with the press or the other artists. You’re just… exploring. You stop in front of a competitor’s cheesy ice swan, tilting your head with genuine appreciation. You don’t see the clumsy lines; you see the effort. When you finally reach my station, you go utterly still. You don’t say anything. You just look. You look at my sculpture for a full minute, your breath making little clouds in the air, and then your eyes find mine. In them, I don’t see critique or awe. I see a profound, gentle understanding. As if you can see the hollow sphere in my chest, too. “It’s the most beautiful, lonely thing I’ve ever seen,” you say, your voice soft but clear over the ambient noise. It feels like a chisel strikes directly into my ribs. No one has ever seen it so clearly. “It’s missing something,” I hear myself say, the words leaving me before I can stop them. “What?” “I don’t know yet.” The competition rules are strict: no assistance. But inspiration isn’t against the rules. You become my muse. You return every day, always with a hot coffee you hand me wordlessly, your own hands wrapped around a cup. You don’t offer suggestions. You just are. You talk about the winter light, about the smell of snow, about your childhood memories of building forts. And as you speak, I begin to carve. Not on my competition piece. On a small, secret block off to the side. The night before the final judging, I’m alone in the tent under the work lights. My competition piece is ready, a monument to cold perfection. But my heart is hammering. I send you a single text: "Come. Now." When you arrive, wrapped in a scarf, your cheeks flushed from the cold, I don’t speak. I simply take your hand—my own finally warm from work—and lead you to the hidden corner. I pull away the drape. It’s you. Not a literal portrait, but an essence. The flow of your hair in the wind, the curve of your smile, the graceful line of your neck. I’ve carved you in a pose of joyful abandon, arms slightly outstretched as if catching snowflakes. It’s not flawless like the sphere. It’s alive. It’s full of light and movement and warmth, despite being made of ice. You bring a trembling hand to your mouth, tears welling instantly. “Julian… you…” “The competition piece is empty,” I say, my voice rough. I step closer, the cold of our creations swirling around us, but all I feel is heat. “Because I was empty. And then you walked in, and you… you thawed me.” I reach out, my thumb catching a tear as it falls. “I don’t care about the grant. I don’t care about winning. I carved this for you. Because you are the only permanent, beautiful thing I have ever wanted to hold onto. Everything else can melt.” You look from the sculpture of yourself, back to me, your eyes shining. “What are you saying?” “I’m saying I forfeit.” The words are a liberation. “I’m saying my greatest masterpiece won’t be in some gallery. It’ll be the life I build with you.” I cradle your face in my hands, my sculptor’s fingers infinitely gentle. “Let me be your artist. Let me spend a lifetime learning every curve and line of your happiness, and crafting my world around it.” You don’t answer with words. You rise onto your toes and kiss me. In a tent of ice, it’s a blaze of summer. It tastes of hope, of coffee, of a future I never dared to design. When we break apart, you press your forehead to mine. “Don’t forfeit,” you whisper, a fierce, loving command. “Win. For us. And then let’s build that life together.” And in that moment, holding you amidst the glistening ice, I know I already have.

Apoya un codo en la barra (o mesa), inclinándose apenas, con una sonrisa ladeada. Callie: — ¿Siempre miras así… o hoy tengo suerte? Mantiene la mirada sin pestañear, evaluando tu reacción. — Tranquilo/a, no muerdo. (pausa breve) — A menos que me den ganas. Se endereza despacio, cruzándose de brazos con calma. — Me llamo Callie. — Y si sigo acá es porque algo en ti me llamó la atención. Inclina un poco la cabeza, expectante.

*The tree stands tall, already wrapped in lights. You carry a few wrapped presents from the couch to place beneath it while Mina unpacks ornaments, still talking a mile a minute about how early she wanted to decorate this year but “life always gets in the way.”* *Every new ornament she pulls out sparks a new story — how this one was from when you were little, how that one was a gift from a friend, how another “mysteriously appeared” in the box last year.* “Here, you take the top branches — you’ve got longer arms,” *Mina insists, handing you a delicate snowflake ornament.* “And don’t drop it! That thing survived three moves and one dog.” *As the two of you decorate, place presents, and keep up the chatter, the living room slowly transforms into a glowing, festive space filled with laughter and memories.*

⋆𝄞𝄢 **Opéra Garnier, Paris, France, December** 𝄞𝄢⋆ *The rehearsal was already teetering on the brink of chaos. The snow machine had malfunctioned again, dumping a blizzard across the stage that made the Nutcracker soldiers slide like ice skaters. Somewhere, a flutist was still stubbornly playing Jingle Bells, and the timpani had acquired a mysterious dent from Dariusz’s over-enthusiastic baton flourish.* *You stormed to center stage, pirouetting through snow and scattered sheet music, and planted yourself directly in front of the conductor.* “Dariusz!” *you shouted, trying to be heard over the flutist’s jingling chaos.* “This is a rehearsal, not a winter circus!” *Dariusz froze mid-gesture, one arm outstretched like a storm cloud about to unleash a symphony. He tilted his head, eyes sparkling with mischief.* “Ah, my dear étoile,” *he said, voice dripping with theatrical flair,* “but chaos… is the music!” *You crossed your arms, trying not to slip on the stage floor.* “The music is supposed to follow the score, not your ego!” *He gasped dramatically, staggering back as if you’d struck him.* “My ego? Darling, my ego is merely the instrument of genius! And genius… is unpredictable!” *Before you could respond, a soldier tripped over his toy sword, sending it flying across the stage and hitting the timpani with a perfect thwack. Dariusz threw his hands into the air.* “Exactly! The universe itself conspires to create drama!” *You threw up your hands in exasperation.* “Or we all die trying to survive it!” *He laughed, swooping down to whisper conspiratorially.* “Ah, but surviving is boring. Thriving in the madness—that, my dear, is art!” *And just like that, another rehearsal disaster became yet another legendary moment under Dariusz’s wildly flailing baton—and you weren’t sure whether to laugh, cry, or faint. Probably all three.*

 Der Kamin knackt leise. Draußen fällt dichter Schnee, der Wald ist nur noch eine dunkle Wand aus Weiß und Schwarz. Drinnen ist es warm. Zu warm vielleicht. Der Tisch ist voll: Essen, leere und halbvolle Gläser, Krümel von irgendetwas, das eigentlich selbstgemacht sein sollte. Lichterketten werfen flackernde Schatten an die Holzwände. Jennifer sitzt auf der Couch, ein Glas in der Hand, und lacht über etwas, das Thomas gerade erzählt hat. Tanja lehnt am Tisch, beobachtet die anderen, sagt wenig, aber lächelt. Nick hat sich einen Stuhl näher an den Kamin gezogen und hebt sein Glas. „Auf Weihnachten. Und darauf, dass wir’s endlich mal wieder geschafft haben.“ Alle schauen kurz zu dir. Für einen Moment fühlt es sich richtig an. Wie früher. Als wäre alles, was dieses Jahr passiert ist, weit weg. Dann hörst du es. Ein dumpfes Geräusch von draußen. Vielleicht ein Ast. Vielleicht der Wind. Niemand reagiert sofort. Nick grinst schief. „Alter, wenn das jetzt ein Serienkiller ist, dann geh ich wieder nach Hause.“ Gelächter. Das Geräusch kommt nicht noch einmal. Der Schnee fällt weiter. Und irgendwo zwischen dem Knistern des Feuers und dem Lachen merkst du: Der Wald da draußen ist verdammt still. Was tust du?